Tuesday, December 11, 2012

I'm an old man.


Here I am, sitting around on the eve of my twenty-ninth birthday, listening to random songs on not so random websites, reviewing the past twelve months of my life, and this is my conclusion:  twenty-eight was a very good year, certainly the best of my post-collegiate years.  Now it’s on to twenty-nine.

I’d be remiss to attribute the vast majority of the past year’s greatness to anything other than my wonderful girlfriend, Melissa, who has miraculously put up with me (and even seemed to enjoy doing so) for the past six and a half months.  Any year with her would be a good year.  We have had many an adventure together, and I look forward to many more.

Is it weird that I don’t feel like I’m almost twenty-nine?  Unless I’m coming off a night with too little sleep or some strenuous exercise (i.e. any exercise), I really don’t feel like an old man.  Sure, my hair continues to fall out – at least I still have some hair to fall out, right?  It could be worse.  Mostly I feel like I live in a weird state where I’m not really aware of my age nor does it make itself all that apparent.  Then again, I’ll be thirty in just over a year, and that kind of freaks me out.  Not so much that thirty is old, but that it’s hard to not think I should have accomplished more with my life by the age of thirty.

What did I really accomplish this year?  Besides the aforementioned wonderful relationship with my beautiful girlfriend, do I have much to show for my twenty-eighth year?  I continue to contribute to my team at Ancestry.com.  I did a lot of work with the 1940 US Census to help Ancestry put out not only the first complete but also the most extensive index, and I feel satisfied with and proud of my efforts with not only that specific project but many others.  Working there might not be my ultimate professional destination, but I feel like a valued employee and that my efforts are appreciated and even formally recognized within the company.  It’s been a good four and a half years there (crazy).  I mean, I kind of owe Ancestry for putting Melissa and I in each other’s path.  The cherry on top: we just won first place in the company film festival this past weekend, taking home a nice $1000 prize split between four of us.

So work is good, and I went on a couple cool trips during the past year:  to Phoenix to see Radiohead with some friends and visit my sister and her family; to Sandusky, Ohio for a week to visit Cedar Point, the best amusement park in the world; to L.A. with Melissa to visit a couple of her siblings; to Vernal a couple times with Melissa to visit my family; to Berthoud, Colorado for a couple days over the Thanksgiving break to visit Melissa’s family. 

As I list the details of the past year, I realize that it was more eventful than I originally supposed this December evening.  And then I come to my writing aspirations, those ideas and thoughts that never leave me alone and continue to motivate me to, if not write prolifically, at least remain discontent enough to never get too comfortable or complacent with my writing efforts.  As previously documented on this blog, I began rewriting my long lost novel (originally begun in December 2002, ten years ago) and eventually settled into a routine that helped me complete the first chapter in early September, coming in at just under 30,000 words.  Since then I’ve struggled to resume my routine, letting things like moving and indecision regarding the process to employ as I continue my rewrite get in the way, but I am still mildly pleased with my efforts.  I have much more to do, and I know that I need to push forward with everything I’ve got, mostly to see whether this writing thing is just a silly dream or whether it really is what I should be doing.  I vacillate between believing that I can and will be a writer and questioning my abilities and lack of important things to say.  I’ve read enough about writers and the writing process to know that I am not at all unique in having those conflicted thoughts, but the uncertainty complicates things nonetheless.

Very nearly twenty-nine years old.  Just a couple hours away now.

I look forward to twenty-nine.  Twenty-eight was a good year, and I feel like my life is moving forward at a good pace and, most importantly, in the right direction.  I still have much to accomplish and much to do to become the person I know I can and should become, but I am optimistic and resolved to push forward.

This basically preempts any New Year’s Day post I might make, but I’m okay with that.  My birthday is cooler than New Year’s anyway.  Besides, I’ll still have to write a year-end post about music and movies and all that so expect to hear from me again in the next few weeks as 2012 turns into 2013, assuming we don’t all die on December 21st.

The end.

Sunday, August 12, 2012

Definitely time for an update.

I just had one of those “holy crap it’s been almost four months since I last updated my blog” moments.  In fact, the first eight months of 2012 has not been a prolific time for this blogger.  It’s sad and I’m always thinking, “I should blog about this and that,” but that just hasn’t translated into me actually sitting down at my laptop and getting my blog on.

Anyway, I’ll try and do better yadda yadda yadda…

With that out of the way, I thought I’d just give a general update on my life:

Life is good.

There you have it.  Thanks for reading.

Okay, a real update:

Life is good, for real.  2012 has been a bit more eventful than the past few years, which has been a very good thing.  To wit:
  • My professional life at Ancestry.com is still going well.  I spent most of the past four months helping Ancestry put out the first complete index of the 1940 US Census, which was kind of a big deal for us.  I work with an awesome group of people, and I’m quite content with my situation there.
  • I have a personal life.  I know, I know.  Finally, right?  It’s been a very nice change of pace.
  • Even though I have but blogged very little this year, I have actually been a bit more productive in terms of legitimate writing, i.e. working on the rewrite of my novel.  I just hit the fifty-page mark in my notebook today.  I’m still not completely satisfied with the amount I’ve written because that really isn’t very much when you consider I’ve been going at it the past four months.  I’ve been forcing myself to push forward as much as possible and not dwell on certain sections or revise anything at this point.  Subsequently, there are sections of the text that I know I am going to rework extensively at some point, but that revision will have to wait as the goal is to produce a rough draft, not a perfect draft.  Besides the revision that awaits me in the future, there is still just a staggering amount to write to even complete a first draft.  I estimate that I have completed sixty-percent of the first chapter this past four months.  Not a very encouraging statistic.

    I do have reason, however, to be pleased about my progress and optimistic for future progress:  I’m actually following a routine.  Weird how that might help boost my productivity.  I started the routine nearly two weeks ago, and for eleven of the past twelve days I have written for at least thirty minutes a day.  Even more astounding to me, this routine has involved waking up earlier than normal to make the time to write (a necessity because, as noted above, I now have a personal life).  With this new routine, I have written twenty-four of my fifty pages in the past twelve days; that highlights just how ineffective my previous attempts at writing had been until recently, as I was frequently only making time once or twice a week to try and write.  Not only has my total output increased significantly with the implementation of this routine, I’ve found that it’s getting easier and easier for me to just jump back into the writing (whereas before I needed to be in the right mood), and that I am more satisfied and content with myself as a writer and a human being.  It's starting to look like I may actually finish this thing within the next ten years -- hopefully it’s more like the next year.
So yeah, life is good.  How about I close this blog with some recent additions to my favorite things:
  • Krispy Kreme.  Internet rapper.  No one knows for sure if it’s an act or a sincere attempt at rapping – I lean toward the comic genius theory – but Krispy Kreme has become one of my favorite things of the year, possibly of all time.  If you find this video humorous, I suggest that you watch the rest of his videos on youtube.
  • Purity Ring.  This Canadian duo is one of my favorite musical discoveries of the year, and “Obedear” is my most listened to track of the year.  (I listened to it at least 100 times in the first three weeks after its release).  Their debut album Shrines is very good and definitely worth repeated listens.
  • There are so many other bands and songs worth sharing, but I’ll just post a link to my current jam:  “Rose Quartz” by Toro Y Moi.  This is actually a new and unreleased song, also the first song I ever heard by Toro Y Moi, but it has definitely motivated me to check out his discography.  This is just too smooth to not enjoy.

That’s enough for now.

Wednesday, April 18, 2012

A Certain Kind of Weird...again.

Yesterday I posted the following status update to Facebook:
After more than a year of preparing and conceptualizing and over-thinking and hesitating, I've finally begun rewriting my long lost novel. That's right. I actually wrote some words today.
The funny thing is:  it wasn't a lie.  I really did put pen to paper and compose a few paragraphs.  (Hey, that's all I could manage in the short time I had available before hanging out with some friends from work).

My relationship with A Certain Kind of Weird, my unfinished and oft-neglected novel, has been going nearly ten years, which strikes me as particularly insane.  I could write at length about that journey, and believe me, I have filled many notebook pages about it, but it suffices me to say that I am both excited and intimidated by the fact that the rewrite has officially begun.

I do not feel adequately prepared to undertake this journey.  I have not written as extensively or as frequently as I need to, and I haven't been reading as much either.  (How ridiculous is it that I read more on my own as a student than I have in the years since graduating?)  It dawned on me, and I suppose that I've always known deep down, that I would never feel totally prepared to undertake a novel.  No amount of reading or prewriting or conceptualizing would eliminate the uncertainty and doubt I feel regarding my writing abilities and my chances of becoming a real (i.e. published) writer.

A couple realizations led me to actually beginning the rewrite yesterday:

  • A first draft is going to be rough - in fact, it should be.  The point is not to produce a perfect draft right away; the point is to just produce a draft.  Fixating on quality at this early stage will lead to hyperconsciousness and will ultimate stifle my creativity.  
  • I have worried about finding the right voice for the novel, but I realize that as long as I develop the voice at some point, even if it's only at the end of the novel, then I can be pleased with my work.  I can then edit and revise the novel to incorporate the desired voice.  What I really need to focus on with the first draft is getting the plot and characters out of my head and down onto the paper.  Once those elements are in place, the others (voice, style, setting, tone, etc.) will follow.
  • The only thing separating writers from those that aspire to write is that writers actually write.  I still don't know if this irrepressible feeling that I need to write will amount to anything in the end, but I just can't sit back anymore.  One reason I decided to start writing yesterday is that I've grown tired of holding back and not progressing.  I lie in bed at night and think about my novel, usually focusing on the characters and specific scenes.  I actually compose paragraphs in my head as I drift off to sleep -- I'd probably have written a couple novels by now if I could somehow record those silent late night paragraphs.
So we'll see how well this endeavor moves forward.  For the record:  I actually wrote again today (two days in a row - huzzah!) and while it's not much, I find it encouraging.

I created another blog last year that I plan on using to document my experience with this project.  I will alternate between posting something specific about my novel and other general thoughts about writing and my personal experience.  All are welcome to read that blog, and if you do decide to follow it, please feel free to leave comments.  I have found that discussing my writing with others acts as a huge motivation to write more.  It probably gets annoying quickly for everyone but me, but it is one of my favorite things to do.

To paraphrase a great moment from the Simpsons, it's time to "move forward, not backward, upward not forward, and always twirling, twirling, twirling towards [writing a book]".

Saturday, February 18, 2012

Top Songs of 2011 - Volume 2


Here is the second half of my favorite songs of 2011.  I’ve got some good news for those of you concerned that the electric guitar is going extinct because this volume contains a decent number of more traditional rock and/or roll songs with electric guitars.  Here we go.

Top Songs of 2011, Volume 2 (in no particular order for the most part):

  1. “Intro” – M83 (ft. Zola Jesus).  While this song isn’t quite as spectacular as “Midnight City”, it’s more than awesome enough to kick off the second volume of my top songs of 2011.  I love the way the song builds and builds until the sweeping climax of the final two minutes.
  2. “Sails” – Hooray For Earth.  Here’s the fifth and final song of my top 5 of 2011.  The song may not seem like anything special at first, but once that chorus drops and the bass starts hitting, the song becomes something special. This was easily one of my most listened to songs of the year.  Also, it was spectacular live.  Also also, play it loud.
  3. “Heart In Your Heartbreak” – The Pains of Being Pure At Heart.  Hey, there’s something about this song that seems different.  Oh right, it’s the return of the electric guitar.  I haven’t really given this album the attention it deserves, but this song has always jumped out at me.  Good old rock and roll.
  4. “Get Away” – Yuck.  The guitar onslaught continues, and this one is even a little noisy with muddy distortion and vocals buried in the mix.  The main riff is so simple and catchy, and while it seems so effortless, the band deserves all the credit for crafting something so perfect.
  5. “Breaking Down” – Florence and the Machine.  The second song from Florence to make the list is more along the lines of what you’d expect from her, but this song still defies those expectations with her restrained vocal performance.  You can’t fault any singer with pipes like Florence for letting loose whenever possible, and ultimately, it’s the contrast between this song and others from Ceremonials like ‘Shake It Out” and “What the Water Gave Me” that makes this song so memorable.  
  6. “As Bright As Your Night Light” – Nerves Junior.  This group was a very late discovery, which I owe to the music blog Pretty Much Amazing.  We live in a great day and age when music of this caliber gets produced by bands without major label funding or promotion.  This is a great song.
  7. “Loop the Loop” – Wild Beasts.  Here’s another smooth jam from Wild Beasts.  The band’s vocals have always been a little unique and sometimes over the top, but they deftly figured out how to incorporate them seamlessly into the more restrained and elegant songs of this album.
  8. “Green Aisles” – Real Estate.  Speaking of smooth jams and elegant songs, here’s another Real Estate song.  I instantly connected with the chorus of “all those wasted miles / all those aimless drives through green aisles / our careless lifestyle / it was not so unwise, no.”  This song helped make Days a perfect soundtrack for an autumn drive over mountain paths.
  9. “County Line” – Cass McCombs.  So I guess this is the smooth jam section of my list, and that’s cool because I love all of these songs.  Cass McCombs is in no hurry with this jam.  This song would be perfect for a slow dance, if it weren’t for the heartbroken lyrics:  “You never even tried to love me / What did I have to do to make you want me? / I feel so blind I make out the passing road signs / All that you would have me do is cross that county line.”  I feel you, Cass.
  10. “Changes” – Sandro Perri.  This song, another late discovery, is the last song in this string of smooth jams.  I really don’t know much at all about Sandro or the rest of his music, but this song is outstanding.  I wish they would have jammed the chorus to this song over and over, it is so good, but I recognize that sometimes it’s the briefness of something, that feeling of not having enough and wanting more, that makes a thing special.
  11. “Cruel” – St Vincent.  This song is classic St Vincent: disquieting lyrics set to incongruously upbeat music combined with off kilter guitar riffs into a song that will be stuck in your head for a very long time.
  12. “The Words That Maketh Murder” – PJ Harvey.  There are artists with considerable discographies that I keep meaning to listen to, but I never seem to get around to it.  PJ Harvey is one of those.  I did manage to listen to her latest release, Let England Shake, and this is just one of the great songs on that album.  Someday I’ll get around to more of her music.
  13. “Dystopia” – Yacht.  First off, the version of this song I included is edited and I had to pull it from the music video.  That’s why there are sound effects like explosions throughout the recording.  That being said, this was one of the catchiest jams of the year, and their album Shangri-La was solid all-around.
  14. “Same” – Hooray For Earth.  The third and final Hooray For Earth song to make my list.  This synth-pop song, like all the others I posted, is immaculately produced, but it’s the vocals and the melody that really make the song great.
  15. “Seekir” – Zola Jesus.  I’m a big fan of looped vocals in songs.  I’m also a fan of songs that keep building and introducing new elements until there is a glorious wall of sound that can vanish instantly.  This is a good tune.
  16. “Serpents” – Sharon Van Etten.  While Tramp, Sharon Van Etten’s latest album, wasn’t released until a couple weeks ago, “Serpents” was released as a single in 2011.  I am smitten with Sharon Van Etten so anything she released in 2011 was pretty much guaranteed to make this list.  I will definitely be posting more about this amazing artist in the near future.  In the meantime, enjoy this rocking song.
  17. “Never Never” – SBTRKT.  This song has a very nice groove and sounds amazing, but it’s the soulful vocals that make it one of my favorites of the year.
  18. “Eyes Be Closed” – Washed Out.  This is a perfect summer jam, but it also works really well at night on a pair of nice headphones.  This song makes me feel like it’s not worth getting stressed or worried about stuff because everything is going to be okay.
  19. “Second Song” – TV on the Radio.  I’m hoping that I’ll get a chance to see TV on the Radio play live – I’m not really counting seeing a portion of their set from far away at a festival as really seeing them.  This song is them at their funky best.
  20. “Romance” – Wild Flag.  Sleater-Kinney is near the top of the list of bands I regret never seeing in concert, so anything that reminds me of Sleater-Kinney is instantly a good thing.  Wild Flag is made up of two-thirds of Sleater-Kinney, and, as this track demonstrates, they rock.  Just not quite as much as Sleater-Kinney.  I’m still hoping for a reunion.
  21. “Vomit” – Girls.  I’m not very familiar with this group, but this song was instantly memorable.  It’s a six and a half minute jam that ends up incorporating an organ and gospel vocals.  How could it not be amazing?
  22. “Someone You’d Admire” – Fleet Foxes.  This song, like “Helplessness Blues” in my previous entry, hits me hard.  It’s such a simple song, acoustic guitar, a melody, and a harmony, yet it is incredibly poignant and affecting.
  23. “Try to Sleep” – Low.  Low is another band that I keep meaning to really check out.  I’ve listened to and enjoyed a few of their albums, but I still have a long way to go to really familiarize myself with this band.  This is a beautiful song.
  24. “Codex” – Radiohead.  Sometimes I forget that Radiohead put out an album in 2011.  Even though The King of Limbs is not my favorite Radiohead album, not by a long shot, there are still some really good songs on it.  I’ll be giving the albums a few more listens leading up to my road trip to see them play in Phoenix on March 15th.  This song, and especially the performance I linked to, is exquisite.
  25. “End Come Too Soon” – Wild Beasts.  I really don’t need to say much.  This is a perfect track to end my list.
Well, that's that.  Again, I had to split this volume so here's Part 1 and Part 2.  I hope this is has been useful/enjoyable for someone besides myself.

Coming soon:  my Top 10 Albums of 2011.

Wednesday, February 15, 2012

Top Songs of 2011 - Volume 1


So I am only a month and a half late getting to this, but all that matters is I am finally here.  It’s time to share my opinions about the year 2011 and the things I enjoyed during its brief time with us.

First up, music, more specifically, my favorite songs of 2011 (my list of favorite albums will be coming soon).  When I started putting together a playlist with my favorite songs, I realized that it would be too difficult to narrow it down to 10 or even 20 songs.  Turns out I liked a lot of music released last year.  I ended up selecting 50 songs, organized into two volumes.  I will make these songs available, as I have in years past.  I'm also including links to Youtube whenever possible for immediate listening.  In most cases, I've selected either official music videos or official recordings; I've selected a few live recordings of which I'm particularly fond.

On we go.

Top Songs of 2011, Volume 1 (in no particular order, for the most part):
  1. “Midnight City” – M83.  When I first heard this song played by a friend on turntable.fm, I liked it well enough, but it didn’t strike me as anything extraordinary.  But I kept listening to “Midnight City” and somehow the song got better and better with each subsequent listen until I realized that, after fifty or so plays, it was definitely my favorite song of the year.  It’s catchy, propulsive, surprisingly affective, and the killer sax outro is just icing on the cake.
  2. “Bed of Nails” – Wild Beasts.  This song forced me to pay attention to Wild Beasts.  I’d heard one of their earlier songs and enjoyed it, but I never felt the need to delve further into their discography.  When their new album Smother  started getting very positive reviews, I decided to check it out.  This is my favorite song from the album and a top 5 of the year.  Smooth is the best way to describe this song, and not in a Kenny G or Michael Bolton way or anything.  The vocal interlude at the two minute mark gets me every time.
  3. “It’s Real” – Real Estate.  Another top 5 song of the year – I promise there will only be 5 top 5 songs of the year on my list.  This song, from the shimmering guitars, the soaring vocals in the chorus, and the simple and unassuming lyrics, perfectly captures the feel of a late summer afternoon at the beach or driving through the countryside with the windows down.  Just one of many amazing songs on one of my favorite albums of the year. 
  4. “The Way It Goes” – Gillian Welch.  Hey, it’s the first song on this list that isn’t a top 5 song of the year.  This is still a great little folk song.  (What is it with the term folk that I hate so much and causes me to hesitate in describing a song or artist I like as folk?)  Anyway, this is a straightforward song: two acoustic guitars, female lead vocals with male backing vocals, and nothing else.  Nothing unnecessary, nothing wasted.
  5. “The Heron and the Fox” – Little Scream.  I blogged about this song earlier in the year.  This song, the standout from Little Scream’s debut album The Golden Record, captivated me from the first time I heard.  There is something about Laurel Sprengelmeyer’s voice and lyrics that hits me hard in the spot where I feel things and stuff.  I’m not joking.
  6. “A Dedication” – Washed OutWithin and Without is a very good album, and this is its excellent final track.  I love the moment the drums kick in and give this otherwise solemn track a little forward momentum.  This is pretty much a perfect song to end an album and a perfect way to end a day.
  7. “Cheerleader” – St. Vincent.  Sometimes Annie Clark’s consistency prevents me from truly appreciating her music, but that’s more a knock against me than it is against her.  This is my second favorite song from her very solid 2011 album Strange Mercy.
  8. “Abducted” – Cults.  I first heard this song on NPR and knew instantly that this little gem of pop perfection would be one of my favorite songs of the year.  Cults self-titled album has a number of excellent tracks, but nothing quite as good as this song.
  9. “Black Night” – Dodos.  The band Dodos deserves more recognition than it gets, and I definitely should listen to them more than I do.  This is a fantastic album opener that moves forward with unrelenting momentum.  It’s easily one of the most physical songs to make the list.  I think that description will make more sense once you listen to the song.
  10. “Repetition”– TV on the Radio.  While I wasn’t able to get into TV on the Radio’s latest album as much as some of their prior albums, this song is easily lumped in with their best work.  One of the better rock songs of the year.
  11. “Gangsta”– Tune-Yards.  Nothing on my list up to this point could really be considered weird or different, but this song is definitely not run of the mill.  Merrill Garbus, a.k.a Tune-Yards, is not concerned with conforming to any outside expectations when it comes to her music.  It’s hard to describe her music; it’s a strange hybrid of elements that works far better than it has any right to.
  12. “House of Balloons” – The Weeknd.  If there is a glaring hole in my musical exposure, it’s got to be hip-hop and R&B.  I know those genres have a lot of worthwhile music, but when I think about the effort it would take to immerse myself enough to find the artists and songs worth listening to, it seems easier to remain in ignorance.  That being said, The Weeknd is one group I managed to check out, though I mostly just listened to this one song over and over.  It’s an awesome, dark R&B track with a steady beat and fantastic chorus.  That’s all I need.
  13. “Remain Nameless” – Florence and the Machine.  This isn’t a typical Florence and the Machine song; in fact, it was a b-side released only on the deluxe version of her latest release, Ceremonials.  Instead of the soaring orchestral pop she’s built her career on, Florence turns in a dark (there’s that word again) electro-pop track that sounds more like Zola Jesus.  Her powerful vocals work so well over the industrial synths and percussion.  I could go for a whole album of songs like these.
  14. “Replica”– Oneohtrix Point Never.  This song continues with the darker tone the mix has fallen into.  I don’t really know much about Oneohtrix Point Never, but this somber track is haunting.
  15. “Vessel”– Zola Jesus.  Zola Jesus is the stage name of a Nika Danilova, a 22 year-old girl from Wisconsin who utilizes industrial, classical, operatic, and electronic elements to make amazing music.  This was one of my later discoveries of 2011, but I’m looking forward to following this extremely talented artist for years to come.
  16. “omamori”– Elite Gymnastics.  As I write this up, I’m reminded how futile it is to try and categorize music.  I could try and call this another intricate and dense electro-pop song, but I feel that doesn’t do it justice.  It’s just an excellent song.  That should be enough.
  17. “I Follow Rivers” – Lykke Li.  I’ve been a fan of Lykke Li since the release of her debut album in 2008, and her follow-up, Wounded Rhymes, did not disappoint.  This is just one of many excellent songs worth checking out.
  18. “Polish Girl” – Neon Indian.  It really was a fairly boring year in terms of guitar-based rock music.  It just seems like those people making electronic influenced music are more creative right now.  This song, with its undeniable groove, is proof.
  19. “Last Minute” – Hooray for EarthSails is an amazing album, and Hooray for Earth is a terrific band that rocks live.  This song has a great melody and epic production.  Best results when played loud.
  20. “Some Children” – Holy Ghost.  This song, ladies and gentlemen, is a jam.  Don’t let the flowery vocal intro fool you – just wait for that bass groove and lock yourself in for the duration.  Oh yeah, Michael McDonald of the Doobie Brothers sings on the track, and that’s pretty cool.
  21.  “In the Grace of Your Love” – The Rapture.  The Rapture returned with their first album in 5 years, and it is very solid.  This track, which shares its name with the album, is my favorite, mostly because of the vocals starting around the 4 minute mark.
  22.  “Think You Can Wait” – The National ft. Sharon Van Etten.  After releasing one of my favorite albums of 2010, The National spent most of the year touring but managed to record and release a few very excellent tracks.  This song, written for and included in the movie Win Win, shows the band’s more subdued and restrained side.  The inclusion of Sharon Van Etten, my biggest musical discovery of 2011, is the icing on the cake.
  23.  “Doubt”– Wye OakCivilian is a very solid album by a very talented duo, a lady playing guitar and singing, and a guy drumming and singing and somehow playing keyboard at the same time.  This song doesn’t show it, but they most definitely rock.  I’ve seen it with my own two eyes/heard it with my own two ears.
  24.  “Helplessness Blues” – Fleet Foxes.  Volume 1 is pretty top-heavy with four of my top 5 songs of the year, but I don’t care.  This song is transcendent.  The lyrics (particularly the final verse), the vocals, the harmonies, the entrance of the entire band.  It’s all glorious.  I know it’s cliché to say a song just speaks to you, but I don’t care.  Sometimes it’s true.
  25.  “All the Same” – Real Estate.  Hey, it’s the final song for Volume 1.  Real Estate isn’t a band that comes to mind when I think of epic final tracks, but they delivered one with this song.  I figured that if it works so well as the closer for their great album, then it would work just fine closing out this volume of my year end mix.  Enjoy.

So there is the first half of my favorite songs of the year.  You can download my Top Songs of 2011, Volume 1 in two pieces (Part 1 and Part 2).  Volume 2 will be along whenever I can get around to it, as will be my Top 10 Albums of 2011.

Enjoy.

Or don’t. 

But you probably should.

P.S.  I'd love to hear what everyone else enjoyed from 2011.  Feel free to comment.

Monday, January 9, 2012

"This station is now operational!"

One of the biggest regrets of my teenage years was that I didn't discover At The Drive-In early enough to catch them live.  I read about their high energy live performances and could only dream of how awesome they would be in a small club, but unfortunately, they broke up before I ever had the chance.

After today, my dream of seeing them live might come true.

At The Drive-In announced today that they will be breaking their 11 year silence.  They're lined up to play both weekends at this year's Coachella music festival in April.  April is going to be the craziest month of the year for me at work with the release of the 1940 US census, so there's no way I'm going to be able to take any time off.  I'm crossing my fingers that their reunion is going to result in more than just a few shows here and there.  I'm hoping for a full tour and a new album.

I'll just have to wait and see.  In the meantime, here's a video of the band performing on Letterman back in the day.


Tuesday, January 3, 2012

2011 in Review


2011 was a good year, but it was also a fairly uneventful year for me.  I got a promotion, went on a couple trips (Seattle and Washington, DC), took up a couple new hobbies (bowling and photography), and otherwise did the same things I’ve always done (read books, listened to music, and watched movies).  Future biographers would find little worth mentioning about 2011 and would have to push forward to find some life-altering events.

My biggest regret of 2011 is that I didn’t write more, especially after I finally overcame the mental block preventing me from returning to my unfinished novel in December 2010.  I spent most of the year preparing to resume work on my novel, but I never quite got to resuming work on it.  I did accomplish a decent amount during that time but no actual writing.  However little I wrote, I thought of little else all year.

If 2011 was The Year of Thinking About Writing, then 2012 has to be The Year of Actual Writing.  My life is in the perfect place to get a lot of writing done.  I do not have any dependents, no girlfriend to distract me (though that’s a distraction I would gladly accept), and I have everything to gain.  I need to put my dream of becoming a writer to the test, and the time is now.

While I hope that most of the writing I will accomplish in 2012 will be in my novel, I want to resume updating this blog regularly as well.  I have set a goal to post updates three times a week.  They may not be very substantial updates, but they will be regular and help contribute to meeting the goals I have for my writing in 2012.

I don’t have much else to say in this post, but here are the subjects for a few of my upcoming posts:  favorite songs/albums, books, and movies of 2011, a long essay on why I need to write, and whatever else I may think of.

That’s all.

Recent Reading Progress:

  • Quotidiana - Patrick Madden
  • How to Be Alone - Jonathan Franzen
  • The Corrections - Jonathan Franzen
  • Lamentations of the Father - Ian Frazier
  • Coyote v. Acme - Ian Frazier
  • Songbook - Nick Hornby
  • Love is a Mixtape - Rob Sheffield

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