Tuesday, February 8, 2011
My Two Minutes of Fame.
Wednesday, January 26, 2011
JIMMER!!!!
(This was me at the BYU-SDSU game every time Jimmer did something amazing).
Tuesday, January 18, 2011
Scanning Memory Lane
Thursday, December 9, 2010
Where is it, boy?
It's eight days into December, and you may be asking yourself, "Where is the novel you said you were going to write in November?" The answer to that: [crickets chirping].
So National Novel Writing Month has come and gone, and I did not write the novel I said I was going to write. I failed for a number of reasons. Here is my defense:
- I had a very important, very large, and very complicated project dropped on me at work, without advanced notice. This project required a lot of work and took its toll on me mentally. Writing in that state would have been extremely difficult.
- I decided to write a novel before I even had an idea for a story. I think it should probably be the other way around. My first idea to write a robot's autobiography didn't take off, and then my second idea was to take my idea for a TV series and turn it into a novel. I did a lot of conceptualization and made good progress with plot points, but never actually got any real writing done.
- A non-literary creative idea (short film) got in the way. My company announced a Film Festival/contest, encouraging employees to make a 60 second video to be played at the company Christmas party. My team and I came up with a good idea (an Antoine Dodson parody, complete with actual autotuning), and we put it together. We ended up taking third place and winning $250 dollars ($25 for each person). It hasn’t been announced yet, but we feel pretty certain we won the People’s Choice award. We definitely got the best and most cheers when our video was played in front of everyone.
Those are the biggest reasons why I wasn't able to write a novel in November. I really wish I had succeeded, believe me, but I'm not too torn up about it. I was lying in bed early last week, and, as I frequently do, I was thinking about the stories I wanted to tell. I started thinking about my unfinished novel --- December 17th will mark eight years since I started it --- and I wondered why I've felt so powerless to complete it.
Back when I thought I was going to finish my novel before graduating college, I liked to describe it as conveying the "essence of my adolescence," and I figured I wouldn't be that far removed from adolescence when I finished it. My goal was to finish my novel before graduating from college.
As they always do, things got in the way of my plans. It turned out to be pretty hard to find time to write when I was a full-time student at BYU and working 20 hours a week. Life disregarded my goal, and I never could get back into a good writing routine. I successfully co-wrote a weekly newsletter thing (the old Access: Denied) for some twenty-five consecutive weeks, but I never made much progress on my novel. Then school got really tough --- who knew double majoring would require a lot of work? --- and I basically gave up on my goal.
Years passed and I felt so removed from the 19 year-old kid I was when I started writing my book that I didn’t think I’d ever manage to resume writing it. At least until last week.
There I was, waiting for the sweet oblivion of sleep, and I started thinking about the novel I didn’t write in November. It didn’t take long for my thoughts to turn to the novel I started but didn’t finish. Eventually I asked myself, “Why can’t I start working on this novel again? What has been holding me back?” I could not think of a valid reason why I couldn’t resume work immediately. The old hang-up, of my book being about my adolescence and my no longer being an adolescent, no longer held water. I realized that yes, I would have to do a lot of revising, but I already knew that, even when I was just twenty-one and not much of an adult. I realized that my work’s autobiographical nature shouldn’t restrict me from working on it even though I’m no longer the person I was when I started writing it. I’ve changed, but the beauty of my novel being mostly unwritten is that I don’t have to revise that much. I was just struck that night, for whatever reason, by the realization that not only could I complete my novel, but that I wanted to complete it.
I remembered something I had learned in one of my film classes. There are two questions to ask when attempting to define a character in the most basic and essential terms: what does the character want? And what does the character need? Most central conflicts arise from discrepancies between the wants and needs of a character. My novel wasn’t really about me or the life I had as an adolescent. Yes, that life and my experiences informed a lot of the novel’s plot, but they did not define my protagonist. What did define my protagonist were his wants and his needs. And those wants and needs had not changed even though I have changed quite a bit in the eight years since I started the work. More than that, I think that I now have a deeper and more complete understanding of the protagonist’s wants and needs. Eight years ago I thought I knew what was driving my protagonist, but I see now that my understanding was pretty superficial. Life has prepared me to understand him better, and if delaying my novel has been worthwhile in any way, it will be in the lessons I learned during those eight long years.
A Certain Kind of Weird is not dead. Let’s think of it like it’s waking up from its hibernation, or returning from an unfortunate but necessary exile. I’m not going to pretend that it’s going to be easy to finish. There really is a lot of work to do, but rather than crank out a 50,000 word novel in a month, I’d rather try and put the 61,000 words I already wrote to good use.
Yesterday I read a lot of the notes and outlines I created years ago (which really was quite extensive), and it got me excited to return to these characters and their silly story. Though the amount of work to be done is staggering, I am not discouraged. I have to basically do a full revision of everything I’ve already written (especially the first chapter) before I can push the story out into new territories. I’m looking forward to the challenge of reconciling the tone and voice of my writing from eight years ago with my current tone and voice. Really, that’s the biggest challenge facing me. I know there will be some cringing as I read my work again, but I think I’m ready to deal with it. Most of all, I’m ready to reacquaint myself with my characters.
Maybe I’m finally prepared as a writer to complete my work.
Monday, December 6, 2010
My Newest Nephew!
Sunday, November 21, 2010
Late Autumn Mix
- "My Life" - jj. This song is a cover of "My Life" by The Game, but you'd never guess that if you had only listened to the Swedish duo's take. This song is the perfect lead-off to the mix. Just piano and vocals.
- "Cherry Tree" - The National. As I was thinking about which songs to include in this mix, I decided early on that I wanted to avoid the songs that would come to mind easily. That meant that I'd have to dismiss certain bands or songs that always come to mind when I'm putting together mixes. The National is a band that definitely comes to mind when I'm thinking about autumn. I've tried to share this amazing band with others as much as possible so I definitely wanted to include a more obscure selection in this mix. "Cherry Tree", released on the Cherry Tree EP is a song that I think some of you National fans may have never heard. It's quite stunning.
- "November" - Azure Ray. This is the only song I've heard from the group, and, as you would guess from the title, the song is a perfect inclusion for this mix. Again, this somber song is quite simple: an acoustic guitar, cello, and beautiful female vocals.
- "Flume" - Bon Iver. No autumn mix would be complete without Bon Iver. Some artists just capture a season's essence, and Bon Iver and fall are almost inseparable in my mind. I could have picked just about any track from the amazing For Emma. If you've still yet to check the album out, do it now.
- "H in New England" - Max Richter. I first heard this song featured on an NPR music program, and it blew me away. It's a short piano piece, and it is sublime. It's the first of two instrumental tracks on this mix.
- "Love is Stronger" - Sebadoh. This is the first track on the mix with a distorted guitar. It's full of melancholy in the lyrics and the music. It also has one of my favorite guitar solos, nothing amazing in terms of technicality, just incredibly emotive.
- "Your Protector" - Fleet Foxes. This band's music has always made me want to drive through the mountains with the windows down and the volume up. Their music works as both spring and fall music. I decided to go with one of the songs that gives me a more distinct fall vibe.
- "How to Disappear Completely" - Radiohead. It hit me while looking through Radiohead's discography how many of their songs I could classify as fall music. They've never recorded the sunniest music, and there's just something about their music that makes me think of this time of year. (On a side note, Radiohead is definitely night music --- there's an interesting correlation between night music and fall music). This is my favorite track from Kid A, and it features one of my Top 5 Radiohead moments near the end of the track.
- "Shame" - Low. Low is a band that I've always read great things about, but I'd never gotten around to listening to their music. I finally found an album of theirs and give it a go. I've been really impressed. Very simple but beautiful music. I need to listen to more of their music to prepare for their mid-December show in SLC.
- "Enchanting Ghost" - Sufjan Stevens. Sufjan is an incredible musician. This song comes from a great EP he released a few months ago. This is simply a great song.
- "Foreground" - Grizzly Bear. Grizzly Bear is a band that kills it live. They're so great live that I struggle to really get into their albums. Nonetheless, they always have a handful of songs on their albums that blow me away. This song is part of that handful from their most recent album, Veckatimest. Again, a very simple song that's mostly piano and vocals.
- "For Real" - Okkervil River. This is probably my favorite Okkervil River song. It may have been their first song I ever heard. I chose to include it because I felt the mix could use a song that hits a little harder. The song makes me think of the way the days grow darker and darker as winter looms over the world.
- "Sorry" - The Wind-Up Bird. This is the second instrumental track on the mix. It comes from a very interesting album, Whips, in which the titles of the eight tracks come from a heart-wrenching voicemail, "Sorry that I've become this monster -- I love you a lot." I first heard a different track from the album in which the actual message is played over and over, little by little being deconstructed and transformed into a collage of white noise. It's an astounding and punishing track, a little too much for this mix. This track, however, the album's opener, fits right in.
- "Protection" - Liars. It took awhile for me to notice this song. I finally did, sitting on a plane on my way to visit my sister in Arizona back in March. Since then, I've listened to it many, many times. It's an atypical song for the Liars, which may be why it finally hit me as forcefully as it did.
- "Scientist Studies" - Death Cab for Cutie. I haven't really followed Death Cab's rise to indie stardom, but I still love their first two albums a lot. There wasn't a whole lot of thought put into this selection, other than thinking to myself, "Hey, I really, really like this song." So that's why it's here.
- "Kettering" - The Antlers. If you want an album to tear you apart emotionally, really dig in and listen to Hospice by The Antlers. From Wikipedia: "Hospice tells the story of an emotionally abusive relationship, explained through the analogy of a hospice worker and a terminally-ill patient." The frontman/songwriter hasn't shared just how autobiographical the album is, but it doesn't matter. Even if the songs were completely fictitious, the story they tell is heartbreaking. If any portion of the lyrics are autobiographical, they become that more devastating. "Kettering" is my favorite song from the album. Its power continues to amaze me.
- "In the Backseat" - The Arcade Fire. This is another instance in which I wasn't necessarily drawn to a seasonal connection but to a tonal and thematic connection. This song just felt right as the final track for this mix.
Wednesday, October 27, 2010
National Novel Writing Month
Sunday, August 29, 2010
Hey, what do you know, I'm literate.
Sunday, August 15, 2010
Scott Pilgrim vs. the World
Friday, July 16, 2010
Highlight of the Night
Recent Reading Progress:
- Quotidiana - Patrick Madden
- How to Be Alone - Jonathan Franzen
- The Corrections - Jonathan Franzen
- Lamentations of the Father - Ian Frazier
- Coyote v. Acme - Ian Frazier
- Songbook - Nick Hornby
- Love is a Mixtape - Rob Sheffield








